Admission: I didn't choose this book because it was about people dealing with the first few days of unexpected war; I chose it because the unusual title was written in my exact same style. That said, the plot keeps a striking number of balls in the air, too many for me to even attempt to list here. But there are bombs, and heartbreaks, and World War II, and trials, and interlopers, and 6-year-old girls accidentally getting hit by cars, and angels and devils and modernist paintings—a steady stream of complications all held together quite well by the internal moral dilemmas of Burt Alberegt, an unextraordinary public prosecutor who's just trying to do the right thing for the right reasons, all while our narrator, his assured guardian angel (and unwitting accomplice to a manslaughter cover-up) hovers nearby. It could easily become didactic, but doesn't. And it could easily become farcical and satiric, and almost does early on, but as winding and frenzied and coincidental as the journey becomes, war just seems to put a heavy damper on any hilarity. It's a book that definitely sticks with you, and it's a book that's difficult to set aside for too long, but something holds it back. Maybe, by never quite going in the direction you think it's going to go, in the end, that ethos stops the novel from truly ascending. Like a driver who insists they're going to reach their destination by only making left turns, eventually novel fun becomes routine. At least that's my guess for now. Three stars.